I Feel Fine
(Switchback Books)
Winner of the 2022 Gatewood Prize, selected by Julie Carr
“Shockingly original, haunting and strange, Olivia Muenz’s I Feel Fine fills me with a kind of longing I cannot properly name. At once novelistic and radically fragmented, achingly confessional and austerely technical, Muenz’s prose poems place me exactly where I want to be as a reader. I am at once moved by a voice and excited by a form, emotionally caught and cognitively awakened. With a syntax all their own, these poems make me sweat and make me marvel. Read them. Find poetry once again bright, new, and necessary. “
—Julie Carr, 2022 Gatewood Prize judge
“I Feel Fine is a book of fine feelings, a record and enactment of feeling finally and finely. Chopped. Think of the “I” as a blade, dicing experience? [...] Muenz’ work should be read within the fine tradition of modern and post-modern investigations of failure, while also being recognized as an important addition to the field of disability studies [...]. In her short, sometimes one-word sentences, urgently compelling in their staccato rhythm, Muenz makes it clear that language itself is a connective tissue disorder we all have—all we have—to communicate the fragility of presence, intimacy, attention, and life. This first full length collection by a gifted, brilliant, and brave poet offers readers a fine way to connect to our own embodiment, the body’s plentitudes and exhaustions, our swell and not so swell swellings and deflations: “We are. Fine.” Muenz writes. Uh huh. I love. This. Book. “
—Laura Mullen, author of Dark Archive
“‘I Feel Fine’ is one of the more ardent critiques of the readerly ‘contract’ I’ve encountered in the past few years, directly challenging the mainstream politics of identarian representation within our contemporary cultural moment. Which is to say: if the neoliberal project often purports to value historically marginalized identities insofar as they are legible and assimilable to a larger capitalist system, Muenz cultivates a complex, unstable affect that resists this kind of digestibility.
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“Properly medicated, nonetheless a little punchy. I stay with her and her inner editor. We play guessing games, feeling for the misplaced caesuras, copying the choppy rhythms of social interaction, naming that actor, naming that film, without even searching IMDB.”
“Read it. Twice. I laughed till I cried!!! Those characters were almost life like! I understood none of it. TWICE! That time is gone forever…..,,”
INTERVIEWS
Interview by Danika Stegeman for Michigan Quarterly Review
Interview by Phil Goldstein for The Adroit Journal
Interview by Chris Salerno for Tupelo Quarterly
PODCASTS & RADIO
Interview with Ken Walker for Post Poet Pop
Interview with Joe Hall and Jake Reber for green_space
Interview with Sam Proulx and Nikki Nolan for Disability Bandwidth
REVIEWS
Review by Olga Mikolaivnka for Diagram
Review by Milo Muise for Full Stop
Review by Lydia Pejovic for TAB Journal
Review by Marty Cain for Mossy Reviews
Review by Matthew Klane for The Afterword
Review by Addie Dodge for Sundress Publications
OTHER PRESS